Monday, June 30, 2014

Marvel Premiere Featuring Iron Fist #24 (Marvel, 1975)


Sparring with hot chicks. Softball game at the park (with the Marvel Bullpen!). A princess incognito. A battle with a giant robot called Monstroid. Sounds like my kind of comic, and "Summerkill!" starring Iron Fist from Marvel Premiere #24, delivers the best kinds of mindless Bronze Age fun any guy can ask for.

Written by Chris Claremont with pencils by Pat Broderick, this one starts off with Danny Rand sparring with Colleen Wing. It's an activity that makes Danny feel uncomfortable as the K'un-Lun prohibit violence against women.


Meanwhile, a S.H.I.E.L.D. facility is infiltrated by minions of Khan. Their target? The Monstroid, a Skrull robot that was last seen in Marvel Team-Up #5.


Danny heads out to play some softball with the mighty Marvel bullpen, as a disguised Princess Azir of Halwan enjoys the game from the stands.


But wouldn't you know it, the Monstroid appears and ruins all the fun -- intent on terminating the Princess!


The Iron Fist arrives just in time to lay the smackdown on the Monstroid. What? Did you change behind a tree or something Danny?



This might be the only time you ever see a Tiger Claw move blind a robot.


With the Monstroid blinded, the cops want to finish the show...by unleashing all the firepower they have on the thing. It doesn't work out too well.


But the weapon of the day isn't a gun folks...it's a freaking steel pipe, which the Iron Fist is somehow able to upend the Monstroid with. 


And then comes the moment we've all been waiting for, as the Iron Fist pauses before unleashing his true power upon the stunned Skrull-bot.


 I love how Claremont makes the aftermath at the softball game sound all morbid, like everyone died or something:


That's it for the Monstroid, we never again see him in Marvel comics. Too bad, I would have liked to have seen more of him. The Iron Fist appeared in one more issue of Marvel Premiere before earning his own series, which was also written by Chris Claremont.

Sunday, June 29, 2014

First Issue Special: Dr. Fate #9 (DC, 1975)


This is a comic that I believe was the best solo Dr. Fate story during the Bronze Age called, "The Mummy That Time Forgot"! Appearing in DC First Issue #9, this story was written by Martin Pasko with the amazingly cool pencils of Walt Simonson.

The story begins as Dr. Fate is alerted to trouble in the Boston Museum of Egyptology:


Dr. Fate arrives to find two dead professors and is greeted by the Mummy Khalis, servant of Anubis...


...and easily overpowered as his own magic turns against him.


Khalis takes the Amulet of Anubis from an unconscious Dr. Fate but does not kill him. Dr. Fate awakens hours later and returns to his tower in Salem to recover.


There he studies old archeology books until he stumbles upon an ancient legend:


Dr. Fate learns the history behind the Amulet of Anubis, and why Khalis was after it. There is also a quick flashback to the origin of Dr. Fate:


Armed with knowledge, Dr. Fate heads out to stop Khalis once and for all:


Khalis survives Dr. Fate's attack, and erects Egyptian temples in the city in an attempt to awake Anubis.


It works, but the Lord of Darkness apparently woke up on the wrong side of the bed.


Anubis is not impressed by Khalis' actions, but is annoyed by the presence of Dr. Fate even more. He tells the mummy Khalis he will consider his offer if he can destroy Dr. Fate.


Khalis unleashes the claws of Anubis on Dr. Fate, but Fate breaks the sarcophagus seal, allowing him to speak the words of an ancient spell that is destined to defeat Khalis once and for all.



Dr. Fate feels the essence of the Sun-God Amon-Ra fill his body as Khalis crumbles into ashes. Exhausted, Fate retakes the Amulet of Anubis. He wonders if this was the test Nabu had intended for him long ago.


Walt Simonson's layouts were just spectacular in this issue. The story was interesting as well, and revealed more about Fate's amulet then I had previously known. I wish Pasko and Simonson had stuck together for a Dr. Fate series during this time period, as I easily would have eaten up anything they would have had to offer.

Thursday, June 26, 2014

DC Comics' Ghost Rider (DC, 1970)

When people think of the Ghost Rider, usually only one comes to mind: Johnny Blaze, the demonic motorcycle-riding antihero that leapt off the covers of Marvel Spotlight in 1972.

But would you believe that DC Comics' had their own Ghost Rider, who was also an undead biker out for revenge and appeared a full two years before Johnny Blaze?

Believe it. In 1970, artists Mike Sekowsky and Dick Giordano created a three-page story titled "Ghost Rider". The story appeared in the back of DC Showcase #88, which also featured a story by the same artists called "Jason's Quest".

This Ghost Rider story tells the tale of a biker gang out to rob two kids at a lover's lane, when they spot a familiar face on a bike in the darkness. They flash a light on him and freak out, taking off on their bikes in fear screaming "Can't be him! He's dead!". The mysterious biker chases the gang through the woods until they jump off a cliff, falling to their deaths. Later, the two kids relate the story to the police, who only find an old rusty motorbike where the mysterious biker had been.

It's a short story, but it's enough to have possibly been inspiration for Marvel's skull-flamed version a few years later. Check it out below!


Monday, June 23, 2014

The Silver Surfer: The Ultimate Cosmic Experience! (Fireside, 1978)


Today I'd like to bring up a comic that -- amazingly enough, has never gotten the attention it's deserved. Almost forgotten actually, and that should be a crime because it's a true-blue Stan Lee and Jack Kirby classic. It's also one of the first original Marvel Graphic Novels, and it's called The Silver Surfer: The Ultimate Cosmic Experience!

The Silver Surfer is a character that not only carries a special significance to his creators, but also caused a source of contention between them. He will always be known for his role as Galactus' Herald in the epic "Galactus Trilogy" which appeared in Fantastic Four #48-#50. However, when Stan first saw the character in Kirby's sketchbook, he said "Jack, this time you've gone too far". Kirby had envisioned the character as an alien creature of pure energy, curious about human emotions such as love and hate. But as Stan grew to appreciate the Surfer, he wrote an entirely different background for him, as a man who paid the ultimate sacrifice to save the woman he loved.

Stan and Jack clashed over which version of the character was better, and eventually Stan created a new Silver Surfer series...with artist John Bucsema, detailing an origin that was entirely different from the one Kirby had devised and had already partially drawn. The relationship between Stan and Jack inevitably deteriorated, and in 1971 Jack Kirby left Marvel to join with rival DC Comics.

The collaborations between these two legendary comic creators could very well have been said and done after that. But integrity and mutual respect still existed between them (after all, they created some of the best characters ever seen in comics). And when Kirby's contract was up at DC, they agreed to work with each other again. Surprisingly enough, they decided on a Silver Surfer graphic novel featuring a re-envisioned story -- one they believed would re-establish the character with a spiritual, mystical quality -- an aspect they hoped would separate him from other superheroes.

The Silver Surfer: The Ultimate Cosmic Experience!, hit store shelves in 1978. At the time, Fireside Books had a deal with Marvel to release various reprints of Marvel titles in graphic novel format. Marvel had no idea what to do with a 114-page Silver Surfer story, and ended up soliciting Fireside in publishing the Silver Surfer graphic novel, becoming the first Fireside/Marvel book to feature original content in that format.

The story reintroduces the Silver Surfer's plight as Galactus' herald and his discovery of Earth. As he arrives, the Surfer realizes the worth of three billion human lives is too much to waste on the hunger of his master. The Surfer tries to stop Galactus from destroying the planet, and thus begins an epic battle between them, with Earth as their battleground. The Fantastic Four (or any of Earth's other superheroes for that matter) are nowhere to be found.

Galactus punishes the Surfer and discards him as his herald, leaving him powerless on Earth. There, he takes human form and learns more about humans and their strange emotions, such as anger and fear. Eventually he regains his powers, and meets another cosmic being: Ardina, Galactus' new herald.

Ardina tries to seduce him, in hopes that he will abandon Earth. Initially this fails, but the Surfer is unable to escape her presence. Ardina wields a power to transcend distance, allowing her to follow the Surfer wherever he goes. A romance is formed and the Surfer begins to experience the strong emotion of love, but Galactus has other plans for these new found emotions in an ending I'll refuse to spoil here.


Kirby had originally drawn a fantastic cover for the book, but a publishing issue between Marvel and Fireside somehow resulted in Earl Norem's painted version of Kirby's drawing instead. With the book released, Stan and Jack had hoped to shock fans with their new interpretations of both the Silver Surfer and Galactus. What they got was a mixture of confusion and disappointment. Where was the Fantastic Four? The Watcher? Who is Adrina? Is this a love story? This is not canon!

What the naysayers were missing was that this was the perfect blend of both Stan and Jack's aspirations for the character, with Jack's vision of the Surfer's quest for human emotions intertwined with Stan's vision of an ultimate sacrifice made out of love. To witness this unification between Stan and Jack is simply amazing to behold. And in that aspect, they pulled it off. A story doesn't necessarily have to stay in continuity to be good. It's just a comic, after all.

Another problem was that, due to the nature of the format being so new, most readers discarded the book as a reprint of earlier Silver Surfer stories. Even today, you can clearly see the confusion in Amazon reviews (seen here). Luckily, the book has not escaped all praise. Some consider this story as one of the last great Stan Lee scripts, while others have been able to appreciate the concept and Kirby's amazing artwork.

In any case, the book went out of print and has never been reprinted to this date. It's become a sort of forgotten classic ever since. It's quite possible there is a publishing issue in the way, between Simon & Schuster and Marvel. If that's true, it's unfortunate. This is a book that deserves a reprint in a deluxe, large-sized hardcover format.

In the meantime, some might have luck finding a copy of the original on eBay or Amazon. Many of these are way overpriced, so be careful. You should be able to find a very good or better copy for around $30, and I'd say it's well worth it. Because if there was ever one Stan Lee and Jack Kirby comic that deserved more attention, it's this one.

Here's a few pages I scanned from the book. Enjoy!